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中国画边缘界定梅墨生(以下简称梅):目前中国画已经没有边界了。这个时代本身是开放、多元化的时代。多种观念、思想、认识都有,所以很难有一个统一的标准。正因为这样,提供了很多绘画的可能性,于是形形色色的表现、各种艺术思潮在中国画里都有反映,而中国画应该维护它的传统性、思想性、纯洁性,还是要打破所有边界?大概这也是值得思考的两条道路。美术界的前辈,从林风眠、徐悲鸿、蒋兆和、李可染等一批先驱开始,我们看到他们打破一切边界,对发展中国画都有所贡献。但固守中国画传统,在中国画内部探索出路的人,也有很多。他们保持了中国画的传统,比
Boundary of Chinese painting Mei Meisheng (hereinafter referred to as Mei): At present, Chinese painting has no boundaries. This era itself is an era of openness and diversity. A variety of concepts, ideas, knowledge have, it is difficult to have a uniform standard. Because of this, it offers a lot of possibilities for painting. Therefore, all kinds of artistic expressions are reflected in all kinds of Chinese painting, while traditional Chinese painting should maintain its traditional, ideological, and pure nature, or should it break all the boundaries? It is also worth considering two roads. Beginning with a group of pioneers such as Lin Fengmian, Xu Beihong, Jiang Zhaohe and Li Keran, we see that they broke all the borders and contributed to the development of Chinese painting. However, there are many who cling to the traditional Chinese painting and explore the way out in the interior of Chinese painting. They maintained the tradition of Chinese painting, than