本文分析了20世纪80年代至今中国电影跨文化交际的发展趋势,并以《夜宴》为例,用跨文化交际的理论分析了这部电影所反映出来的独特中国文化。通过总结国外《夜宴》的评价和接受情况,指出武侠电影这种中国特色的电影题材,已经让西方观众产生审美疲劳。文章最后呼吁必须拓宽中国跨文化电影的题材范围,实现有效的跨文化传播。 This paper analyzes the development trend of Chinese film intercultural communication from the 1980s to the present. Taking “Banquet” as an example, it analyzes the unique Chinese culture reflected by this film with the theory of intercultural communication. By summarizing the evaluation and acceptance of foreign “Banquet Banquet”, it is pointed out that the film theme of Chinese martial arts film has made the western audience produce aesthetic fatigue. Finally, the article calls for broadening the coverage of the theme of cross-cultural films in China and achieving effective intercultural communication.