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槐花又飘香了,“六·一”节即将来临。每每这样的时候,人们总会瞩目与孩子们有关的各类问题。戏剧界当然不会忘记了为小观众服务的儿童戏剧。回顾十一届三中全会以来儿童剧发展的轨迹,的确令每个从事这一事业的同行们欢呼庆幸。尤其是1989年以来,儿童剧的创作更趋活跃,仅1989年一年新创演的剧目就有近二十种之多。1990年,数台歌颂“十佳少年”赖宁的戏一齐出台,配合全社会,把动员少年儿童向“十佳少年”学习的运动推向高潮。一批以领袖人物童年为描述对象的革命历史题材儿童剧也在这两年中相继诞生。在成人戏剧徘徊于低谷的时候,儿童剧的艺苑里,却春风依旧。
Sophorae fragrans again, “June 1” is coming soon. Whenever such time, people always pay attention to all kinds of problems related to children. Of course, the theater industry will not forget the children’s drama that serves the small audience. Recalling the trajectory of the development of children’s drama since the Third Plenary Session of the 11th CPC Central Committee does indeed make everybody who is engaged in this cause rejoice. Especially since 1989, children’s play has become more and more creative. In just one year in 1989, there were nearly 20 newly created plays. In 1990, several Taiwan opera performances of “Top Ten Teenagers” were staged in conjunction with the whole society, culminating in the campaign of mobilizing young children to learn from the “Top Ten Teenagers.” A group of children’s drama of revolutionary history, the subject of which is described by their leaders, has also been born one after another in these two years. In the adult drama hovering in the trough, children’s drama art house, but the spring breeze still.