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日本影片《泥之河》荣获日本电影旬报一九八一年选出的最佳十部影片的第一名,不是偶然的。它的确是近几年来日本电影中不可多得的艺术精品。看《泥之河》,使我不由得想起法国十九世纪现实主义作家都德的名篇《最后的一课》。自然,两部作品反映的主题是截然不同的,《最后的一课》是以1870年普法战争为背景,表现阿尔萨斯省人民沦为异族奴隶的痛苦,而《泥之河》反映的是五十年代中期日本人民经历战争后的苦难与当时的日本社会面貌;我这里
It is no accident that the Japanese film “Mud River” won the first place in the top ten films selected by the Japanese film festival newspaper in 1981. It is indeed a rare fine art piece in Japanese cinema in recent years. Look at “the river of mud”, so I can not help but think of France’s nineteenth-century realist writer Dodd’s famous “last lesson.” Naturally, the two subjects reflect a completely different theme. The “Last Lesson” is based on the Franco-Prussian War of 1870 as a manifestation of the suffering of the Alsatian people becoming slaves to the alien. Reflected in “The River of the Mud” In the mid-1950s, Japanese people experienced the aftermath of the war and the Japanese society at that time; I am here