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20世纪80年代以来,以谢飞为代表的中国“第四代”导演在作品创作过程中,坚持探寻着人存在的意义,他们借鉴西方电影纪实艺术传统的同时,努力将人自身的多面复杂性更立体地呈现在观众面前。本文立足于此,以20世纪“现代人本主义”美学为视角,结合中国“当代人本主义”思潮特点,从导演自身的“自我意识觉醒”入手,探究作为中国“第四代”导演代表——谢飞所导演电影作品中“人本主义”的产生背景、特征及表现。
Since the 1980s, the “4th generation” directors represented by Xie Fei insisted on exploring the significance of human existence. They drew on the tradition of western movie documentary art and tried their best Multifaceted complexity more three-dimensional presentation in front of the audience. Based on this, taking the 20th century “modern humanism ” aesthetics as the angle of view, combined with the characteristics of China “contemporary humanism ” thought, starting from the director ’s “self awakening The Representative of ”The Fourth Generation“ - The Background, Characteristic and Expression of ”Humanism " in Movies Produced by Xie Fei.