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人类学家玛丽·道格拉斯指出:“只要存在集体生活”,就必然存在着“产生和复制社会关系的作用”的仪式,因此,无论是宗教活动中的祈祷、忏悔、诵经、禁忌和祭祀,还是日常生活的宴庆、聚会等等,作为一种仪式,其目的就在于或明了或含蓄地表达和重申一个社会对某些价值观念和信仰的信奉,督促人们学会怎样接受某些信仰,并以社会公认的方式来表现这些信仰。在这个意义上,戏剧表演的仪式性首先就体现在它的对象是作为一个集体的观众。这不仅因为一个剧本的演出需要来自观众经济上的支持,观众上座率的多寡往往直接决定该剧本
Anthropologist Marie Douglas pointed out: “As long as there is a collective life,” there must exist a “production and reproduction of the role of social relations,” the ritual, therefore, both religious activities, prayer, repentance, chanting, taboos and sacrifices, Or the feast of daily life, parties, etc., as a kind of ritual, aims at expressing or reaffirming a society’s belief in certain values and beliefs either explicitly or implicitly, urging people to learn how to accept certain beliefs and Express these beliefs in a socially recognized way. In this sense, the ritualness of theatrical performance first manifests itself in its object as a collective audience. This is not only because the performance of a script requires financial support from the audience, the size of the audience attendance often directly determines the script