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现代性存在于历史的时空里并且作为一个历史的过程演进着。文学的现代性研究差不多已成为时髦而老调的话题,其缺失之一在于研究的空泛无着。中国文学由古典型态转化为现代型态,或者说中国文学现代文体的发生,原本是多种合力共同作用的结果。文体的现代性是文学现代性重要的可感存在。媒体,作为一个较为具体的视窗,由此可观览中国现代文体发生的图景。中国现代文体的发生不仅提供了物化的条件,而且由于媒体生态关联性的影响,使得基于媒体的文体在形态与精神等方面,生成了异于过往的诸多质性。媒体对于中国现代文体发生的意义颇多。通过媒体这一视角,解析诗歌、散文、小说、戏剧四种文体,无疑是研究中国文学现代转型的具体路径和方法。
Modernity exists in the space and time of history and evolves as a historical process. The study of the modernity of literature has almost become a topic of fashion and old tune. One of its shortcomings lies in the blank of the research. The transformation of Chinese literature from the classical form to the modern form or the occurrence of the modern style of Chinese literature was originally the result of a variety of synergies. The modernity of style is an important and sensible existence of modernity of literature. As a more specific window, the media can view the images of the modern Chinese style. The occurrence of the modern Chinese style of writing not only provided materialized conditions, but also caused many qualitative differences from the past in the aspects of form and spirit due to the influence of the ecological relevance of the media. The media has a lot to say about modern Chinese style. Through the perspective of the media, the analysis of four styles of poetry, prose, fiction and drama is undoubtedly a concrete approach and method to study the modern transformation of Chinese literature.