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改革开放后的中国艺术界已经在相当程度上改变了过去封闭的状况,就像清末“开眼看世界”的人士一样,剔除意识形态的影响、还原艺术的本来面部,认真地对待西方艺术比过去任何时候都已经成为一股不可逆转的潮流。门户开放后涌入的西方美术(尤其是现代派),对于中国文化界而言犹如平地惊雷,深深地触动了包括前卫人士和保守文化官员在内艺术家。它甚至直接促成中国艺术的变化,正如北京的学者刘曦林所观察到的:“没有魏斯艺术的介绍,就没有中国的魏斯风;没有柯尔维尔的展览,就没有
After the reform and opening up, the Chinese art community has considerably changed the status quo in the past. Like the people in the late Qing dynasty, ”opening our eyes to the world“, we eliminated the influence of ideology, restored the original face of art, and treated Western art seriously More than ever before has become an irreversible trend. The influx of Western art (especially the modernists) after the opening of the portal is like a thunderclap for the Chinese cultural community, deeply touching artists, including avant-garde and conservative cultural officials. It even directly contributed to the changes in Chinese art. As Liu Xilin, a Beijing scholar, observed: ”Without the introduction of Weiss art, there is no Chinese Weiss style; without the Coleville exhibit, there is no