二胡舞台表演首先呈现在观众面前的就是演奏者的性别形象。性别形象表面上看与乐曲演奏无关,但仔细推敲还是有较大差别的。笔者认为,从酝酿乐曲情调、感悟乐曲意境、把握音乐形象等舞台艺术二度创作来看,从女性阴柔秀美、含蓄多意、感情细腻、婉转多情、观念传统、劳作细致、妆面靓扮、服饰风彩、肢体多姿等诸多特质与二胡音乐旋律柔美、富于歌唱、韵味连绵、情感细腻、圆润柔和、优美动听的“人琴合一”来说,有相当数量的二胡曲,女性较之男性演奏更有风采,更能感染、打动观众,因而也更有优势。 Erhu stage performance first presented in front of the audience is the performer’s gender image. On the surface, the gender image has nothing to do with the performance of the music, but there is a big difference when it comes to careful scrutiny. The author believes that from the mood of the brewing melody, sentiment music mood, grasp the second stage of the creation of music and other artistic images of view, from the feminine beauty, subtle and meticulous, delicate feelings, mildly affectionate, conceptual tradition, labor meticulous, Costumes and graceful, limbs and many other qualities and erhu melody soft, full of singing, lingering charm, delicate emotions, mellow and soft, beautiful and pleasant “people together”, a considerable number of erhu music, Women are more attractive than men to play, more infectious, impress the audience, and thus more advantages.