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堆塑瓷瓶是我国宋代时长江下游地区流行的一种有堆贴塑内容的特殊的随葬明器,其典型特征为在主体罐的上部堆贴着飞鸟瑞兽、门阙楼阁、仙佛人像、乐伎杂耍等雕像。堆塑瓷瓶造型独特,雕饰复杂,形态各异。到了元代,造型逐渐简单直至衰落,分布范围小。堆塑瓷瓶将各种丧葬明器浓缩于一身,并组合为一有机的整体,集中了大量的丧葬信息,具有相当高的审美价值、历史研究价值以及收藏价值。一、堆塑瓶的起源与历史发展据唐宋一些文献中记载,随葬魂瓶的习俗来源于一个古老的传说。商朝末年,伯夷叔齐兄弟因周武王伐纣,二人叩马谏阻无效,遂遁入首阳山隐居,立誓不食周粟,最终双双饿死。
Piles of plastic porcelain is the Song Dynasty in the lower reaches of the Yangtze River in the world with a pile of plastic content of the special funerary objects, the typical characteristics of the main tank in the upper heap piled up birds and animals, door Que House, Fairy portrait, Le juggling and other statues. Plastic piles modeling unique, carving complex, different shapes. To the Yuan Dynasty, the shape gradually simple until decline, the distribution of small. Plastic porcelain piles will all kinds of funeral enrichment in one, and the combination of an organic whole, focusing on a large number of funeral information, with a very high aesthetic value, historical research value and collection value. First, the origin and historical development of plastic bottles According to some records in the Tang and Song Dynasties, the custom of grafting soul bottle comes from an ancient legend. The Shang dynasty, Bo Yi tert-brothers because of the King of War King Zhou, the two percussion resistance is invalid, then escape into the first Yangshan seclusion, vowed not to eat Zhou Su, eventually both starved to death.