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男权社会对女性物化的典型产物《灰姑娘》,经童话和传说流传世界各地,也作为一种经典爱情样式被作家选择并演绎。但在长期进行封建统治的中国,这一母题受历史语境影响缺席于古代文学中,直到19世纪末到20世纪初,“灰姑娘”母题才重返中国文学,并呈现出“美貌有报”和“美德有报”的演绎方式,使得具有阶级差异的婚姻通过“付出”到“回报”的方式趋于合理,而阶级制度的崩塌、女性话语权的改变以及文学的商业化运营等多
The typical product of patriarchal society for the materialization of women, “Cinderella,” has spread around the world through fairy tales and legends. It has also been selected and interpreted by writers as a classic love style. However, in the long period of feudal rule in China, this motif was absent from the ancient literature due to historical context. Until the late 19th and early 20th centuries, the motif of Cinderella returned to Chinese literature and showed a The deduction of “beautiful and beautiful” and “virtuous and virtuous” makes the marriage with class difference tends to be reasonable through the way of “giving” and “rewarding”, but the collapse of class system and the discourse of women Change of power and the commercialization of literature