方卫平认为儿童文学的民族性与现代性问题极富张力和理论生长性 ,对它的关注将有益于儿童文学知识体系的进一步深化与完善 ;张永健认为中国 2 0世纪儿童文学既是民族的 ,又是开放的 ,以两者的统一活跃着自己的生命 ;孙志军分析了 195 0年以后的“十七年”、新时期前 10年和近 15年三个研究范式的转换 ,展示出当代儿童文学研究的发展脉胳及现代性品格的生长 ;王泉在分析《哈利·波特》成功的原因后 ,阐释了儿童文学应高扬民族性与儿童主体意识的问题 ;蔡莉莉具体从主题、形式和艺术创新三方面阐析了新时期儿童戏剧创作的现代性问题 ;王念灿从三方面阐明了中国儿童剧的民族性品格 ,从中窥见其基本面貌和发展轨迹 ;曾庆江在分析新时期儿童诗的开放性后指出 ,在全球化语境下 ,开放性是儿童诗具有现代品格的前提条件 Fang Weiping believes that the issue of nationality and modernity of children’s literature is very rich in tension and theoretical growth, and its concern will benefit the further deepening and improvement of the knowledge system of children’s literature. Zhang Yongjian believes that Chinese children’s literature in the 20th century is both national and Sun Zhijun analyzed the conversion of the three research paradigms of “Seventeen Years” after 1950, the first ten years of the new period and nearly 15 years to show the contemporary study of children’s literature Wang Quan analyzes the causes of the success of “Harry Potter” and expounds the issue that children’s literature should promote nationalism and children’s subject consciousness; Cai Lili elaborates on the theme, form and form Wang Niancan clarified the national character of Chinese children’s play from three aspects and glimpsed the basic features and development path of the Chinese children’s play. Zeng Qingjiang analyzed the openness of children’s poetry in the new period After that, in the context of globalization, openness is a prerequisite for children’s poetry with modern character