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我但愿永远只是在远处观望一个叫安藤政信的男子,害怕靠近,一近便失。很长一段时间我都不敢面对安藤政信这个人,假设你在新宿歌舞伎町游荡,也许会遇见手持一根香烟等待爱情的渡部笃郎,遇见将往事深埋后在罗密欧风光无限的北村一辉,还有被独立电影绞断了肠的浅野忠信,亦正亦邪性感十足的小田切让……只是请相信,你无法遇见像安藤政信那样的男子,从嘴唇到眼角的距离就好似陷落一世的期限,那双眼孤绝与纯真并交,注视你的时候会叫人觉得焦躁不安,怕被捕获又惟恐错失。最要命的是,这个人似乎从来不在意自己的迷人,挥出去的摄魂之美好似赏樱结束后随意掸落的粉色花瓣,他是不急的,急着的、提心吊胆的永远是旁人。
I wish I could only wait and see a man named Ando Masanori in the distance, afraid of approaching, almost lost. For a long time I did not dare to face Ando Masanobu, assuming you wander around Shinjuku’s Kabukicho and may meet Atsuta Atsuro, who is holding a cigarette waiting for love, Fai, as well as the Asano loyalist who has been cut off by an independent film, and also Odakyu, who is full of evil ... Just believe, you can not meet a man like Ando Masanobu and the distance from your lips to your eyes is like a fall Of the deadline, the eyes of both solitary and innocent and pay attention to when you will find people feel restless, afraid of being caught and only fear of missing. The most terrible thing is, this person seems to never mind their own charming, outgoing deity like the beauty of the pink petals at the end of cherry free, he is not in a hurry, anxious, always afraid of others.