对于每一个身处江南的艺术家来说,如何汲取文人画的传统而又能推陈出新,这无疑是一个值得不懈努力、深入思考的重大课题。 从20世纪70年代末开始,丁观加就常常为此而困扰不已。他深深地认识到那种因因相袭的笔墨趣味 For every artist living in Jiangnan, how to draw on the tradition of literati painting and bring forth new ideas is undoubtedly a major topic worthy of unremitting efforts and deep thinking. Since the late 1970s, Ding Guajia has often been troubled by this. He is deeply aware of the kind of pen and ink fun