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2017年2月10日，由浙江省委宣传部、省文联主办的“百年追梦——浙江美术创作精品工程”展在浙江展览馆落幕。展出的30件巨幅作品，聚焦1840年到1949年间浙江近现代历史人物和重大事件，以美术形式回顾历史，描绘人文画卷，塑造英雄群像，是一次恢弘壮观的史诗般美术大展。
在波澜壮阔、跌宕起伏的奋斗历程中，浙江大地涌现了一大批勇立潮头的英雄人物，发生了无数可歌可泣的历史事件。“百年追梦”浙江美术创作精品工程历时三年，以中国画、油画、版画、雕塑为主要艺术形式，表现手法丰富，各具艺术特色，尤其在历史叙事方法上取得显著突破。
展出的作品都是引人赞叹的精品力作：版畫《浩气长歌》以鲜明的构图表现新民主主义革命时期牺牲的9位浙江省委书记的光辉形象；油画《浙江解放》展示了1949年8月浙江省人民政府成立的历史画面；油画《火种》反映了中国工农红军第十三军浴血奋战，为中国革命作出的不可磨灭的贡献；国画《西泠印社》表现了吴昌硕等几任社长的风范，再现金石篆刻之“天下第一名社”人文历史。
特别值得称道的是雕塑《辛亥群英》以雕塑艺术的表现语言刻画了浙江籍辛亥革命领袖群体的坚强形象。国画《国药之脉》把胡庆余堂中以胡雪岩为首的一组人物群像勾勒得细腻生动，体现出胡庆余堂沉淀的“真不二价”、以诚待人的商业文化精华。油画《湖山涵育》是那些名声显赫的浙江近代国学大师组画，画面栩栩如生，人物神采逼真，吸引了众多观众观赏和频频赞许。
大展之“大”，不仅仅表现为展出的作品体量、尺幅巨大，更体现了为历史造像立碑的艺术工程之大，具有很高的文化价值和历史意义。
“决定创作成功的艺术元素有很多，包括对大时代中人与事件的正确理解、对选题的深刻把握、具体创作要素的选取、艺术表现和创作手段的呈现等。”中国文联副主席、浙江省文联主席、中国美院院长许江表示，这30幅画是浙江美术界共同完成的浙江的人文历史书卷。它不仅是浙江的重要文化财富，而且是进行爱国主义教育的重要教材。
“百年追梦”浙江美术创作精品工程创作任务很重，但是艺术家们充满信心，奋办完成。美术界认为，浙江美术创作精品工程在史实浓缩表现、历史情景再现、艺术运用语言和思想境界开拓上，完全达到预期目标，并创出了新的水平。浙江艺术家深入历史，还原历史，并以现实主义精神和浪漫主义情怀观照历史、表现历史。许多作品都是数易其稿，最终才达到较为理想的艺术效果。
展览凝聚了浙江优秀美术家辛勤耕耘的心血。艺术家们走进历史深处，走进生活深处，既展开形象思维翅膀，又脚踩坚实的大地，创作出一幅幅巨作。在创作《钢铁洪流——红军挺进师》草图期间，艺术家常青来到遂昌王村口粟裕、刘英战斗过的地方，实地体验当年的氛围，终于找到创作灵感；为创作《明灯——1939年中国共产党浙江省第一次代表大会》，艺术家陆琦多次到平阳的会议旧址考察采风，到温州和平阳的档案馆收集分析史料；《浩气长歌——新民主主义革命时期牺牲的9位浙江省委书记》这件作品，时间跨度很大，每位省委书记都不在同一个时间点，创作难度很大。画家佟飚画了许多草图，尝试了各种创作手法后，才比较满意地体现出9位省委书记大义凛然、视死如归的英雄气概。
艺术家们对历史问题的艺术化表达，用画笔把历史事件描绘成感动人、教育人的多彩画卷，把历史人物升华为鼓舞人、引导人的鲜活形象，用自己的心追逐百年中国梦。
Artworks Glorify Province’s Epic Past
By Zhang Erjing
February 10， 2017 witnessed the closing of an exhibition sponsored by the provincial government agencies， at Zhejiang Exhibition Center in downtown Hangzhou. It has started on January 13， 2017.
The exhibition featured only 30 works of art， but the 30 pieces were huge in size and huge in subjects depicted. The exhibition focused upon key figures and events in the modern history of Zhejiang from 1840 to 1949. It was a review of heroes in the epic struggle waged by the province on its way from the feudal stupor to modernization and bright future.
The preparation for the exhibition had taken three years to complete. Various arts contributed to the portrayals of the historic figures and events： traditional Chinese painting， oil painting， prints and sculpture.
“Many factors were considered for the artistic success of the project. For example， we tried to examine and attain a correct understanding of the people and events of the 100 years and more， we explored the depth and width of the subjects， and we made decisions on artistic depiction and creative means and genres，“ recalled Xu Jiang， a leading artist of the country and president of Hangzhou-based China Academy of Art. The 30 artworks， completed by the artists of the province， is an epic contribution to the understanding of the epic journey the province took during the decades. The artworks have now become a part of the cultural wealth of the province and now they double as a textbook in history and patriotism education. Artists worked with assistance from the project organizers. The organization committee and the art committee， two steering panels of the project， met with artists regularly to follow their progress and get the first insight into the original ideas for artistic representations. The committees reviewed ideas and drafts and provided suggestions and advices. The efforts paid off： the exhibition was a success.
portrays the nine secretaries of the province’s CPC party committee who died between 1921 when the CPC came into being and 1949 when the People’s Republic of China was founded. Tong Biao， the printmaker who created the artwork， had made many drafts before he figured out the best way to highlight the same heroism in the nine martyrs who died in different times of the 28 years. ， a large sculpture， depicts a group of heroes of Zhejiang who contributed to the successful overthrow of the Qing Dynasty （1644-1911） and the founding of the Republic of China （1911-1949）. ， an oil painting， imagines a day in August 1949 when the Zhejiang Provincial People’s Government was officially founded to exercise the power as a provincial government. ， an oil painting， pays homage to the 13th Army of the China Workers and Peasants Red Army which battled in Zhejiang and made contribution to the success of Chinese revolution.
The exhibition reviewed more than revolution. The exhibition highlighted the figures of culture and business during this period of time. depicts Wu Xueyan， a merchant who founded Huqingyutang Pharmacy in Hangzhou and it is now a national cultural legacy. is an oil painting that depicts masters of Chinese classics of the period， who were natives of the province. The vivid portraiture wowed visitors. Created in the traditional style of Chinese art， depicts Wu Changshuo and other directors who chaired the country’s most prestigious and most ancient art organization in succession. This painting summarizes Wu Changshuo and the society， which can be two key chapters of a history of art in Zhejiang.
The 30 artworks are considered a collective enterprise of the province’s art circles to keep the memory of the province alive.
在波澜壮阔、跌宕起伏的奋斗历程中，浙江大地涌现了一大批勇立潮头的英雄人物，发生了无数可歌可泣的历史事件。“百年追梦”浙江美术创作精品工程历时三年，以中国画、油画、版画、雕塑为主要艺术形式，表现手法丰富，各具艺术特色，尤其在历史叙事方法上取得显著突破。
展出的作品都是引人赞叹的精品力作：版畫《浩气长歌》以鲜明的构图表现新民主主义革命时期牺牲的9位浙江省委书记的光辉形象；油画《浙江解放》展示了1949年8月浙江省人民政府成立的历史画面；油画《火种》反映了中国工农红军第十三军浴血奋战，为中国革命作出的不可磨灭的贡献；国画《西泠印社》表现了吴昌硕等几任社长的风范，再现金石篆刻之“天下第一名社”人文历史。
特别值得称道的是雕塑《辛亥群英》以雕塑艺术的表现语言刻画了浙江籍辛亥革命领袖群体的坚强形象。国画《国药之脉》把胡庆余堂中以胡雪岩为首的一组人物群像勾勒得细腻生动，体现出胡庆余堂沉淀的“真不二价”、以诚待人的商业文化精华。油画《湖山涵育》是那些名声显赫的浙江近代国学大师组画，画面栩栩如生，人物神采逼真，吸引了众多观众观赏和频频赞许。
大展之“大”，不仅仅表现为展出的作品体量、尺幅巨大，更体现了为历史造像立碑的艺术工程之大，具有很高的文化价值和历史意义。
“决定创作成功的艺术元素有很多，包括对大时代中人与事件的正确理解、对选题的深刻把握、具体创作要素的选取、艺术表现和创作手段的呈现等。”中国文联副主席、浙江省文联主席、中国美院院长许江表示，这30幅画是浙江美术界共同完成的浙江的人文历史书卷。它不仅是浙江的重要文化财富，而且是进行爱国主义教育的重要教材。
“百年追梦”浙江美术创作精品工程创作任务很重，但是艺术家们充满信心，奋办完成。美术界认为，浙江美术创作精品工程在史实浓缩表现、历史情景再现、艺术运用语言和思想境界开拓上，完全达到预期目标，并创出了新的水平。浙江艺术家深入历史，还原历史，并以现实主义精神和浪漫主义情怀观照历史、表现历史。许多作品都是数易其稿，最终才达到较为理想的艺术效果。
展览凝聚了浙江优秀美术家辛勤耕耘的心血。艺术家们走进历史深处，走进生活深处，既展开形象思维翅膀，又脚踩坚实的大地，创作出一幅幅巨作。在创作《钢铁洪流——红军挺进师》草图期间，艺术家常青来到遂昌王村口粟裕、刘英战斗过的地方，实地体验当年的氛围，终于找到创作灵感；为创作《明灯——1939年中国共产党浙江省第一次代表大会》，艺术家陆琦多次到平阳的会议旧址考察采风，到温州和平阳的档案馆收集分析史料；《浩气长歌——新民主主义革命时期牺牲的9位浙江省委书记》这件作品，时间跨度很大，每位省委书记都不在同一个时间点，创作难度很大。画家佟飚画了许多草图，尝试了各种创作手法后，才比较满意地体现出9位省委书记大义凛然、视死如归的英雄气概。
艺术家们对历史问题的艺术化表达，用画笔把历史事件描绘成感动人、教育人的多彩画卷，把历史人物升华为鼓舞人、引导人的鲜活形象，用自己的心追逐百年中国梦。
Artworks Glorify Province’s Epic Past
By Zhang Erjing
February 10， 2017 witnessed the closing of an exhibition sponsored by the provincial government agencies， at Zhejiang Exhibition Center in downtown Hangzhou. It has started on January 13， 2017.
The exhibition featured only 30 works of art， but the 30 pieces were huge in size and huge in subjects depicted. The exhibition focused upon key figures and events in the modern history of Zhejiang from 1840 to 1949. It was a review of heroes in the epic struggle waged by the province on its way from the feudal stupor to modernization and bright future.
The preparation for the exhibition had taken three years to complete. Various arts contributed to the portrayals of the historic figures and events： traditional Chinese painting， oil painting， prints and sculpture.
“Many factors were considered for the artistic success of the project. For example， we tried to examine and attain a correct understanding of the people and events of the 100 years and more， we explored the depth and width of the subjects， and we made decisions on artistic depiction and creative means and genres，“ recalled Xu Jiang， a leading artist of the country and president of Hangzhou-based China Academy of Art. The 30 artworks， completed by the artists of the province， is an epic contribution to the understanding of the epic journey the province took during the decades. The artworks have now become a part of the cultural wealth of the province and now they double as a textbook in history and patriotism education. Artists worked with assistance from the project organizers. The organization committee and the art committee， two steering panels of the project， met with artists regularly to follow their progress and get the first insight into the original ideas for artistic representations. The committees reviewed ideas and drafts and provided suggestions and advices. The efforts paid off： the exhibition was a success.
portrays the nine secretaries of the province’s CPC party committee who died between 1921 when the CPC came into being and 1949 when the People’s Republic of China was founded. Tong Biao， the printmaker who created the artwork， had made many drafts before he figured out the best way to highlight the same heroism in the nine martyrs who died in different times of the 28 years. ， a large sculpture， depicts a group of heroes of Zhejiang who contributed to the successful overthrow of the Qing Dynasty （1644-1911） and the founding of the Republic of China （1911-1949）. ， an oil painting， imagines a day in August 1949 when the Zhejiang Provincial People’s Government was officially founded to exercise the power as a provincial government. ， an oil painting， pays homage to the 13th Army of the China Workers and Peasants Red Army which battled in Zhejiang and made contribution to the success of Chinese revolution.
The exhibition reviewed more than revolution. The exhibition highlighted the figures of culture and business during this period of time. depicts Wu Xueyan， a merchant who founded Huqingyutang Pharmacy in Hangzhou and it is now a national cultural legacy. is an oil painting that depicts masters of Chinese classics of the period， who were natives of the province. The vivid portraiture wowed visitors. Created in the traditional style of Chinese art， depicts Wu Changshuo and other directors who chaired the country’s most prestigious and most ancient art organization in succession. This painting summarizes Wu Changshuo and the society， which can be two key chapters of a history of art in Zhejiang.
The 30 artworks are considered a collective enterprise of the province’s art circles to keep the memory of the province alive.