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草图,在某种意义上代表一种没完成的、可再造的视觉状态,它随时可以开始,也随时可以终结,探索了艺术创作的初始状态和重要节点,富于纪实性。王鲁炎的草图,语言简洁、精确,无意于愉悦观众的感官,带有一定的破坏性与自我毁灭性的隐喻,显示出克制的冷眼旁观态度。他的作品旨在用艺术的方法破除旧观念,获得新认知,在这一过程中,他也完成了作为艺术家探讨复杂生命问题的任务。
Sketches, in a sense, represent an unfinished, rebuildable visual state, ready to begin and ready to end, exploring the initial state and important nodes of artistic creation, and documentary. The sketch of Wang Luyan, concise and precise in language, unaware of the senses of the delightful audience, carries with it a certain destructive and self-destructive metaphor and shows a reserved attitude of restraint. His work aims to break away from the old concepts and acquire new understandings through artistic methods. In the process, he also accomplished his task of exploring complex life issues as an artist.