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李渔是我国古代著名戏曲剧作家和理论家。其所撰写的《闲情偶寄》,在中国古代“曲学”史上,因对戏曲创作系统深入地论述并充满“剧”的思维而具有“里程碑”意义。在李渔的戏曲理论中,关于戏曲演唱的论说不仅是其有机部分,而且,理论及其所体现出的审美思想,既具有歌唱表演的学科价值,也有着戏剧学的学科意义。本文通过多种角度的分析,揭示并论证了李渔唱论及其审美思想的戏剧学意义。
Li Yu is a famous opera dramatist and theorist in ancient China. In his history of “Qu Xue”, he wrote the poem, “Feelings and Feelings”, which has a “milestone” meaning for his profound discussion of the opera creation system and full of “drama” thinking. In Li Yu’s opera theory, the theory about opera singing is not only an organic part, but also the theory and the aesthetic ideas embodied in it have both the value of singing performance and the academic significance of drama. Through a variety of perspectives, this article reveals and demonstrates the dramatic significance of Li Yu’s singing theory and his aesthetic thoughts.