一、变器为道的社会必然中国画发展到清末民初,“外师造化”的艺术原则开始出现断层,文化救国的人生选择遂成为社会的风尚。就中国画而言,康有为、梁启超、陈独秀、蔡元培、鲁迅等知识精英,率先举起“美术革命”的旗帜,主张用西方的绘画方法改造中国画,美术的社会功能愈来愈得到强化。鉴于时代风尚、社会现实的影响,在这一时期,徐悲鸿发表了他的《中 First, the inevitable change of the Chinese society of painting to the development of the late Qing dynasty, “outsider art ” began to appear the artistic principle of the cultural choice of life to save the country has become the social fad. As far as traditional Chinese painting is concerned, Kang Youwei, Liang Qichao, Chen Duxiu, Cai Yuanpei and Lu Xun and other intellectual elites took the lead in lifting the banner of “art revolution” and advocating the transformation of Chinese painting with Western painting. The social functions of fine art have been increasingly strengthened. In view of the fashion of the times and the social reality, during this period, Xu Beihong published his "