曹雪芹站在中国传统文化与康乾盛世的时代文化交汇点上，以全新的视角对女奴的婚恋生活进行多层次、多角度的观照，全方位透视了封建礼教、礼法和婚姻制度的残酷性与不合理性，揭示了封建伦理道德和封建婚姻制度扼杀男女自由爱情的罪恶本质，再现了作者“千红一窟（哭），万艳同杯（悲）”的创作思想，具有独特的美学价值和丰厚的文化意蕴。 Cao Xueqin stood at the meeting point of Chinese and Chinese traditional culture and the era of Kangxi and Qianlong. From a new perspective, he conducted a multi-level and multi-perspective study of the marriage and love life of the slaves, and thoroughly analyzed the cruelty of the feudal ethical code of conduct, Irrationality, reveals that the feudal ethics and feudal marriage system stifle the sinful nature of the free love between men and women, and reproduces the author’s creative thinking of “One Red Cave (cry), Wan Yan Tong Cup (sad)”, has unique aesthetic value And rich cultural implications.