尽管后现代艺术主张多中心与多元文化共存的艺术生态,但在当下中国,实际上后现代艺术却呈现了一种几乎一边倒的审美形态,因此,针对性地回溯一些被日益边缘化的历史观点,其意义绝非单纯地怀旧,而是缘于一种对时弊的救助情怀。本文对徐悲鸿美学观点的研究与阐述,正是基于此一考虑。 Although postmodern art advocates the artistic ecology of multi-center and multi-cultural coexistence, in contemporary China, postmodern art actually presents an almost one-sided aesthetic form. Therefore, it aims to trace back some increasingly marginalized historical perspectives , Its meaning is by no means pure nostalgia, but due to a kind of rescue feelings of the time. This article on Xu Beihong aesthetic point of view of research and elaboration, it is based on this consideration.