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中国侠文化历经千年流变,最终只在文学中占有一席之地,这种情形在近代发生了巨大转变,近代社会的特殊性激发了民众对于侠的渴望与侠义精神的重新发掘,而动荡的环境与法律约束力的减弱也给了侠以重生的空间,有着侠义精神与全新思想的新一代侠客就此登上历史舞台。陈去病改编的《莽男儿》中所记录的就是这样一位人物,通过他又可以看到近代风气与传统侠文化交融与流变之下一段特殊的历史风貌。
After a thousand years of change, the Chivalry in China eventually took its place in literature. This situation has undergone tremendous changes in modern times. The particularity of modern society has aroused people’s desire for chivalry and the re-excavation of chivalrous spirit. The turbulent environment and The weaker legality also gives the chivalrous space for rebirth, and a new generation of knight-errant chivalrous man with new ideas embarks on the stage of history. It is such a person recorded in Chen Ke’er’s adaptation of “Mang Men” that he can see a special historical feature under the blending and evolution of modern customs and traditional Xia culture.