明镜的油画淡雅、飘逸,在如梦似幻的朦胧中,带着淡淡的忧伤,诱人动情,让人回味。认识明镜始于20世纪80年代末,当时我是《中国美术报》的编辑,接待了这位有点腼腆且诚恳的作者。印象中他带来了一些较抽象的原作品。当时“美术新潮”运动已走 Der Spiegel elegant, elegant, in the dreamy dimness, with a touch of sadness, seductive emotions, memorable. Recognizing the specter began in the late 1980s when I was the editor of the China Art newspaper and received the somewhat coveted and sincere author. He brought in some of the more abstract works of the original impression. At that time “art trendy” movement has gone