相较于前代,明代中后期的画坛呈现出愈加纷繁的局面。从绘画发展来看,这一时期以至清代流派纷立,各地间抗衡共进;从绘画理论来看,这一时期是一个“因袭与创见”的兼具时期,著述多样、篇幅宏大,但总体因袭多过创新,无甚多新解;从书画鉴藏方面来看,这一时期由于政治、经济以及艺术本身的种种原因,书画鉴藏(赏)活动得到了空前的繁荣。处于这种环 Compared with the previous generation, the painting circles in the middle and late Ming dynasty showed more and more complicated situations. From the perspective of the development of painting, this period even confused schools of Qing dynasty, contending with each other all over the country; from the theory of painting, this period is a period of both “succession and creation”, with diverse writings and magnificent articles However, there were not many new solutions to the problem as a whole. However, due to the political, economic and artistic reasons during this period, the collection and appreciation of calligraphy and paintings have enjoyed unprecedented prosperity. In this ring