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看了《阿凡达》,对其展现的视觉效果惊叹不已,如此一片,也不枉詹姆斯·卡梅隆12年的苦心制作。但观其剧情,无非是暴利对抗暴利、个人英雄主义至上的好莱坞套路,这不得不让我们更加佩服老牛仔克里特?伊斯特伍德的人生哲学,一部老头子自导自演的《老爷车》(Gran Torino),将其非暴力抵抗暴利的哲学思想以特有的思路向我们娓娓道来。伊斯特伍德在影片中出演一位平凡的老人沃尔特·科瓦尔斯基,影片以沃尔特妻子的葬礼开篇,注定了影片的悲情基调。葬礼上各色人种来来往往,但无一能抹去老人面容的忧伤黯淡。本以为儿孙的到来会抚慰看着弱不禁风的老沃尔特,没想到儿孙露骨大胆的穿着、蛮横无理的要求却只是加深了老
Watched “Avatar,” the visual effects of its amazement, so one, but also worthwhile James Cameron 12 years of painstaking production. However, its plot is nothing more than profiteering against profits and individual heroism supremacy of the Hollywood routines, which forced us to admire the cowboy Cretan? Eastwood philosophy of life, an old man directed by the classic car "(Gran Torino), to its non-violent resistance to profiteering philosophical thinking with unique ideas to us. Eastwood starred in the film an ordinary elderly Walter Kowalski, the film begins with the wife’s funeral, destined to the film’s sad mood. All kinds of people come and go at the funeral, but no one can erase the bleak sadness of the elderly. The thought of the arrival of children and grandchildren will be soothing watching the fragile Old Walter, did not think my grandchildren daring to wear, rude demands only deepen the old