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新在野之学(新公共民俗学)是日本当代民俗学者菅丰的代表性理论,是对日本民俗学草创期“在野之学”的回归和再构建。该理论旨在打破长期以来由日本学院派民俗学者主导的封闭的学术体系,消除专业与非专业之间的隔阂,寻求学院派民俗学者、公共民俗学者、各类社会组织、普通民众等多样化行为体的协同合作。它要求民俗学者重视介入式的日常实践,成为当事人而不是旁观者;在实践过程中努力获得文化表现的正当性,谨记民俗传承人的权威性;植根于地方,将文化客体化并给予当地人必要的支持;对自我和他者的实践与研究以自反性、适应性的方式加以把握;不以实践为目的,而以民众的幸福为己任。
The theory of new inroads (new public folklore) is a representative theory by Japanese contemporary folklorist Professor Sugooh, and is a return and reconstruction of Japanese folklore initiation. The theory aims to break the closed academic system dominated by Japanese academism folklorists for a long time, to eliminate the gap between professional and non-professional, and to seek the diversification of academic folklorists, public folk scholars, various social organizations and ordinary people Collaborative cooperation of actors. It requires folklorists to pay attention to the interventional daily practice and become the parties rather than the spectators; to strive for the legitimacy of cultural expression in the practice process, keeping in mind the authority of the folk successors; to be rooted in the localities and culturally given The necessary support of the locals; the practice and study of the ego and the other are grasped in a reflexive and adaptable way; not for the purpose of practice but of the well-being of the people.