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作为戏剧创作者,我们必须意识到,我们的生存空间变了,已经进入了商业化的时代。新一代的导演,必然要在戏剧商业化的环境下找到生存和创作的途径。20世纪90年代涌现出的孟京辉、田沁鑫的生存空间和创作道路已经不是我们能过多借鉴和模仿的了。我们面临的已经是一个新的课题了。
As theater creators, we must realize that our living space has changed and has entered a commercial era. A new generation of directors is bound to find ways of survival and creation in the context of dramatic commercialization. Meng Jinghui and Tian Qinxin’s living space and creative path emerged in the 1990s are not the ones we can learn from and imitate. We are already facing a new topic.