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朱恒夫◎主编在明代毛晋《六十种曲》问世至今的四百年间,中国戏曲创作较之前代有增无减。据不完全统计,明末至今的新创剧作就有近万种,从这么多剧目中选取最具代表性和典范价值的戏曲作品加以整理,给今天的读者看是非常必要和有意义的。本书接继毛晋的做法,编选者以学术的,历史的,舞台的,观众的视角,从明末之后的昆剧,花部,以及近代、现当代地方戏上万种剧作中,遴选出《燕子笺》,《占花魁》,《风筝误》、《长生殿》,《桃花扇》,《玉堂春》,《易胆大》等六十种戏曲名作,每剧前冠以千字提要,简述剧作家生平,剧作版本,剧作的思想内容,艺
Zhu Hengfu ◎ editor In the Ming Dynasty Mao Jin “60 kinds of songs” come out so far four hundred years, Chinese opera creation over previous generations unabated. According to incomplete statistics, there are nearly 10,000 kinds of newly created dramas from the end of the Ming Dynasty. It is very necessary and significant for today’s readers to select the most representative and exemplary works of drama from so many repertoires . The book follows the Mao Jin approach, the editors to academic, historical, stage, the audience’s perspective, from the end of the Ming Dynasty Kunqu Opera, Flower Department, as well as modern, modern and contemporary local opera ten kinds of dramas, selection Sixty kinds of opera masterpieces such as Swallows, Flowers, Kites, Eternal Palace, Peach Blossoms, Yutang Spring and Yi Dan Da, etc. A brief summary of the playwright life, drama version, drama content, art