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可能是因为中国传统小说太讲究故事、太讲究人物刻划了,所以进入80年代中期,小说家们突然意识到小说其实还有许多种写法。在故事小说、性格小说、心理小说之外又出现了众多小说类型,其中最为突出的是新历史小说。莫言的“山东高密”系列、苏童的“枫杨树”系列、叶兆言的“夜泊秦淮”系列等,以其特有的对历史题材的想像与认识,完成了对历史母题的解构,拓展了小说的思维空间和艺术空间。在这里,历史文本与文学文本的共构性一览无余。18、19世纪现实主义作品强调表现历史本
Probably because Chinese traditional novels pay too much attention to stories and pay more attention to characters, so in the mid-1980s, novelists suddenly realized that there are still many ways to write novels. In the story novels, novels of personality and psychological novels, there are many kinds of novels, the most prominent ones are new historical novels. Mo Yan’s “Shandong Gaomi” series, Su Tong’s “Maple Poplar” series, Ye Zhaoyan’s “Night Qinhuai” series, with its unique historical imagination and understanding of the subject, completed the deconstruction of the historical motif, expanding Novel thinking space and art space. Here, there is no glance at the co-construction of historical texts and literary texts. 18th and 19th century realist works emphasize performance history