在《90后诗歌中的现实书写》一文中我曾写道:“90后诗人热衷于书写自我,他们更为关注自我在这个世界中存在的欢欣与悲伤,关注个体存在的境况,追寻个体存在的意义。”将这一判断延伸至“90后”小说家的身上,大抵也是妥当的。当然,这并不是说,“90后”作家们就完全不关注自我之外的世界。比如丁颜的小说《达娃》就重现一段历史,向我们展示了 In “The Realistic Writing in 90 Poems,” I wrote: “After 90, poets are passionate about writing themselves. They pay more attention to the joy and sadness that exist in this world. They pay attention to the individual existence and the pursuit of individuality Existence of meaning. ”“ This judgment will be extended to ”90 “ novelist’s body, probably is appropriate. This does not mean, of course, that writers after 90s are completely indifferent to the world outside themselves. Such as Ding Yan’s novel ”Dawa" to reproduce a history, show us