论文部分内容阅读
要建构马克思主义文学批评中国形态的民族之维,需要对“民族”及其相关问题作重新审视和辩证研究。首先,对“民族”概念加以考辨,厘清不同术语的边界;其次,针对研究马克思主义民族理论中的不同声音,提炼出马克思恩格斯有关民族理论的观点和方法;再次,为“民族”概念正名,“民族”不等于闭关自守,也不是回到过去,更不是用集体压制个人。基于此,赋予中国形态的民族观以新的理论特质:民族是一个历史的范畴,民族的核心在于文化,民族与人民同构,中国形态民族维度的视域即文化身份和价值尺度。总而言之,对“民族”的重新阐释和民族之维的提出,构成了马克思主义文学批评的中国形态区别于其他马克思主义文学批评的重要理论特质。
In order to construct the nation dimension of Marxism literary criticism of China, we need to re-examine and dialectically study the issue of “nation ” and its related issues. First of all, it examines the concept of “nation ” and clarifies the boundaries of different terms. Secondly, in view of the study of different voices in Marxist theory of nationalities, this article extracts the views and methods of Marx and Engels about national theory. Thirdly, “Concept of correct name, ” national “does not mean closed or not, nor is it returned to the past, not to use the collective suppression of individuals. Based on this, the concept of nationality that confers on China a new theoretical characteristic is that nation is a category of history. The core of a nation lies in the unity of culture, nation and people. The sight of the Chinese nationality dimension is cultural identity and value measure. All in all, the reinterpretation of the ”nation" and the proposition of the dimension of the nation constitute the important theoretical trait that distinguishes the Chinese form of Marxist literary criticism from other Marxist literary criticisms.