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南京摄山千佛岩南朝佛教造像的创建者及受众,主要是南渡的“青齐土民”及与之关系密切的士人、僧侣、齐梁皇室、摄山周边的居民等。由于信仰习惯、佛教传统等方面的差异,江南土著及早年南渡的高门贵族对其似无兴趣。以千佛岩为中心的宗教活动虽然对南朝社会影响有限,却使都城建康以北地区出现了“青冀化”的动向。在探讨各地区间佛教造像的样式关系时,应当考虑到造像创建者及受众的地域背景。
The founder and audience of Nanjing Mount Shan Qianfuyan Southern Dynasties Buddhist statues are mainly Nandu “Qingqi natives ” and the close relatives of scholars, monks, Qiliang royal family, inhabitants of the surrounding mountains and so on. Due to differences in religious beliefs and Buddhist traditions, Gang Nobles, natives of the Jiangnan Autonomous Region and high gate nobility in the early years of Nandu, have no interest in it. Although the religious activities centered on the Qianfoshan rock had a limited impact on the society in the Southern Dynasties, the trend of “Youth and Hope ” appeared in the north of the capital city Jiankang. When discussing the stylistic relationship between Buddhist statues in different regions, we should consider the geographical background of the creators and their audiences.