第八章玄妙的绘画席里柯(Giorgio de Chirico)意大利画家席里柯(1888-1978)於1911年定居巴黎。所有想创新的现代派画家都完全抛弃了文艺复兴时期的透视法,但席里柯却发现了透视法和玄学之间存在着一种“令人不安的关系”,于是他炫耀地加以运用。展现在我们眼前的是既可辩认又很神秘,既使人觉得亲切又令人狼狈的画。到了1905 Chapter VIII Subtle Paintings Giorgio de Chirico Italian painter Schlici (1888-1978) settled in Paris in 1911. All the modernist painters who want to innovate have completely abandoned the Renaissance perspective, but Schlick has found a “disturbing relationship” between perspective and metaphysics, so he uses it flauntingly. What we see before us is a picture that can be both identified and very mysterious, even if people find it warm and embarrassing. To 1905