人们对于后现代艺术的审美情趣往往有两种倾向,一种是认为艺术就应该阳春白雪,为食利阶层服务,而一种则认为艺术应该来源于生活,又高于生活,应该紧紧和我们的生产生活紧密联系。事实上,这两种解释都有各自的局限性。因为艺术就应当是艺术,那些外在的标签都无法表达艺术自身,甚至对艺术是有害的。同时对于艺术的发展也是一种人为的划界,对后现代艺术的认识则更加有待加强。本文试图从尽可能多的角度出发,阐述后现代艺术的潮流,趋势与特征,并且也尽可能鲜明而客观的看待所谓后现代艺术无法深入到普罗大众的缘由。 People tend to have two tendencies toward the aesthetic taste of postmodern art. One is that art should be springing up and serving the canteen, while the other is that art should come from life and life should be closely linked with us The production and life are closely linked. In fact, both explanations have their own limitations. Because art should be art, those external tags can not express art itself, and even art is harmful. At the same time, the development of art is also a kind of artificial demarcation, and the understanding of postmodern art is even more to be strengthened. This article attempts to elaborate the trend, trend and characteristic of postmodern art from as many perspectives as possible, and also as clear and objective as possible view of why so-called postmodern art can not penetrate to the general public.