钟国康之书法、篆刻,不求韵,皆求势;气势在,则笔墨有骨,刀石见情。恣肆性情流于纸上,精神灿烂出之印面,刚柔会通,其事不易。饱墨长锋,非要用出刀斧之气势;杀石犁字,还求见到墨渍之风神。国康之出位、开新,固有艺术勇气在,依我看,个中也饱含一种绝境意识,所谓不破不立,置之 Zhong Guokang’s calligraphy, carving, not rhyme, are seeking potential; momentum in, then the pen and the bones, knife stone see the situation. Unbridled nature flow in the paper, the brilliant spirits of the printing surface, rigid and flexible, not easy. Saturated ink long front, must use the ax of the momentum; kill stone plow word, but also see the ink stain of the Aeolus. State of the United States out of place, a new, inherent art courage, in my opinion, one also full of a sense of desperation, the so-called does not break does not stand, set