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中国画发展到了近代,因长期的陈陈相因,形成模式化,失去鲜活内容,而趋于衰颓不振;此时西洋画的涌入,以其所长则显我之所短,眩人耳目,更使中国画受到有史以来的严重挑战。于是中华有识之士,从文化名人康有为、蔡元培、陈独秀、鲁迅,到艺苑班头刘海粟、徐悲鸿、林风眠,莫不同声呼喊改革中国画！ 然而由于改革者审美意识、艺术功利目的、对东西方艺术取值等的不同,对改革中国画的目标倾向、切入角度也不同,出现各执其理、各行其是的无序混沌状态。自从学院教育的兴起,这种改革才为之面目一新。在雄厚的文化背景下,以后中国画之发展,大体为“学院派”所左右;中国画的发展也从此进入了高层次的轨道。
Chinese painting developed to modern times. Due to the long-term Chen Xiang-chen, the formation of patterns, the loss of fresh content, and tends to decline; at this time the influx of Western painting, with its director is my short, dazzling , But also to make Chinese painting suffered a serious challenge ever. So, Chinese people of insight, from the cultural celebrities Kang Youwei, Cai Yuanpei, Chen Duxiu, Lu Xun, to the art gallery chief Liu Haisu, Xu Beihong, Lin Fengmian, muffled the reform of Chinese painting! However, due to the reformers aesthetic awareness, the purpose of artistic utility, the artistic value of the East and the West and so on, the target orientation of reforming Chinese painting is also different, and the disorder and chaos appear in different ways. Since the rise of college education, this kind of reform has become nothing new. In a strong cultural background, the future development of Chinese painting is generally dominated by “academic school”; the development of Chinese painting has since entered a high-level track.