中国人瞩目西方是近一百年的事。作为应用的科学以及精神理念只须拿来即可,于是有了东方今日的现代化——西装、汽车、洋楼、电灯、电话……而作为艺术的拿来主义却是未必妥贴的。现代的徐悲鸿、林凤眠、吴冠中等先辈都做了大量的尝试与实践,其结果至今成为美术界未置可否的公案。倒是后印象派的大师梵·高、高更以及当代的巴尔蒂 Chinese people pay attention to the West for nearly a hundred years. As the application of science and spiritual ideas can only be used, so with the modernization of the East today - suits, cars, houses, lights, telephone ... ... and as art is not necessary to get hold of the doctrine. Modern Xu Beihong, Lin Fengmian, Wu Guanzhong and other ancestors have done a lot of attempts and practices, the result has so far become the art world untold karma. It touches on the post-Impressionist Vatican, Gauguin and contemporary Balti