19世纪末,西方世界的文化同他的军队一起涌进青岛。随着教堂的建立,教会音乐等西洋音乐开始兴起,小提琴、键盘乐器等西洋乐器的演奏技法传入青岛。五四运动以后,在“新思想、新道德、新知识、新文化”的热潮中,西方音乐更广泛地融入到青岛的社会文化变革中,使青岛音乐文化呈现出兼容并蓄、具有独特外来文化特质的特点,并成为近代中西音乐交流的一个典型。其间许多音乐爱好者由接触到深入,铺就了青岛早期的音乐基石。百年之后,后人踏着这条基石,一次次将青岛的音乐之旅带进新的航程。 At the end of the 19th century, the culture of the Western world flooded Qingdao with his army. With the establishment of the church, Western music such as church music began to rise, and the playing techniques of Western instruments such as violins and keyboards were introduced to Qingdao. After the May 4th Movement, Western music became more and more integrated into the social and cultural changes in Qingdao in the craze of “new ideas, new morals, new knowledge and new culture”, which made the music culture in Qingdao show a unique and inclusive Cultural characteristics of traits, and become a typical modern Sino-Western music exchange. In the meantime, many music lovers came in contact with them and laid the cornerstone of early music in Qingdao. A hundred years later, descendants marching on this cornerstone, again and again to Qingdao’s music tour into a new voyage.