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简单地把“小女人散文”的走俏窜红看成是市场经济怂恿下的专栏写作泛滥的精神泡沫,不仅容易忽视这一散文现象的文化价值,更有可能从我们的不屑一顾之下滑过去的是这道跳跳溅溅有意惹你青睐的散文活水中所孕含的对于文学发展的启示作用。“小女人散文”得以兴盛,的确是文化产品商品化、大众文化模式化生产的产物,它体现了市场行为在文化领域里的渗透。这一事实本身便构成一种反映时代和生活嬗变迁延的文化现象。正如人们已认识到的,小女人散文“透露出都市新文明、新的生活的先声”,“它也是都市文化女性化的一个象征”(陈娟),“小女人反映了大时代、大文化”(陈虹),“小女子文学
It is not only easy to overlook the cultural value of this essay phenomenon, but it is even more likely to slip from our disdain to simply popularize the popular “Little Woman’s Prose” as a spiritual bubble overflowing with column writing under the guidance of a market economy. This is the road to jump splash splashing deliberately provoke your favorite essays in the living water contained in the implications for the development of literature. The flourishing of “Little Woman’s Prose” is indeed a product of the commodification of cultural products and the production of mass-culture modeled production. It reflects the infiltration of market behavior in the field of culture. This fact by itself constitutes a cultural phenomenon that reflects the development of the times and the evolution of life. As people have come to realize, the little woman’s essay “reveals the metropolis’s new civilization, the precursor of a new life” and “it is also a symbol of feminization of urban culture” (Chen Juan). “The little woman reflects the great era, Culture ”(Chen Hong),“ Little Girl’s Literature. ”