1840年开始,艺术家们发现了亚洲,期待用禅宗来打造一种独立的艺术家身份。本文将从以下几点来谈谈深受禅宗浸透的美国前卫艺术,从当代艺术与禅宗视域的融合谈起,到艺术家们将禅宗当作走进自己的通道抑或内心风景的自观,不论前卫艺术家们如何理解和取用禅宗,禅宗的意味的确可称当代艺术创造的不二之臣。 Beginning in 1840, the artists discovered Asia and looked forward to using Zen as an independent artist. This article will discuss the Zen avant-garde art by the Zen from the following points, from the integration of contemporary art and Zen perspective, to the artists who regard Zen as their own passage or self-concept of inner landscape, How the avant-garde artists understand and take advantage of Zen and Zen means that the contemporary art creates the best of luck.