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王璜生的新作《渗》是一件体量不大的装置作品。(图1)在一个长3米,宽1.3米的长方形不锈钢器物中,注满了墨和水的混合物(以下通称墨·水),横贯其中的是一块高1.0米的薄铁板,铁板前后被生宣纸覆盖着,生宣纸表面全部用黄颜色精心滴淋处理,以至于如果不看作品说明,观众会误以为这块铁板是一块特制的类似于宣纸的厚纸板。(图2)再加上这件装置作品是在《纸·非纸》展上展出,更给人一种误读,几乎坚信这块“非纸”的铁板的
Wang Huangsheng’s new work, “Infiltration” is a small volume of installation works. (Figure 1) A 3 meter long and 1.3 meter wide rectangular stainless steel utensil filled with a mixture of ink and water (hereinafter referred to as ink and water) traverses a thin 1.0 meter high iron plate Before and after being covered with raw rice paper, the surface of all raw rice paper was carefully treated with a yellow drop of water so that the audience would mistakenly think that the iron plate was a special thick cardboard similar to rice paper if it was not read. (Figure 2). The installation of this installation was exhibited at the “Paper Non-Paper” exhibition, giving a misleading interpretation. It is almost convinced that this “non-paper” iron plate