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如果谈论重庆新诗,大体上应该从吴芳吉开始吧!吴芳吉之后,在上个世纪的20年代,重庆走出了创造社的早期诗人邓均吾,在30年代以后走出了诗人何其芳、杨吉甫,走出了“脱帽志变”(卞之琳语)的方敬,走出了沙鸥,形成强大的新诗文脉。到了上个世纪50年代,有一颗耀眼的诗星出现,这就是梁上泉。诗人何其芳在1949年10月初写过一首《我们最伟大的节日》,热情欢呼“中华人民共和国/在隆隆的雷声里诞生”。新诗也在这“隆隆的雷声里”展开了新时代。站在21世纪的制高点,回望建国初期新诗的足迹,可以看到,那是新诗在新中国的试唱期,这个
If you talk about new poems in Chongqing, you should start with Wu Fangji in general. After Wu Fangji, in the 1920s, Chongqing stepped out of Deng Junwu, an early poet of the creation society, and went out of the poets He Qifang and Yang Jifu after the 1930s Fang Jing “off hat change” (Bianzhi Lin language), out of the gull, the formation of a strong cultural repertoire. In the 1950s, a dazzling poet appeared, and this is Liang Shangquan. He Qifang, the poet, wrote a song entitled “Our Greatest Holiday” in early October 1949, and we warmly welcome “The People’s Republic of China / Born in thunder and thunder.” New poetry is also in this “rumbling thunder ” started a new era. Standing at the commanding height of the 21st century and looking back on the footsteps of the new poetry in the early days of the founding of the People’s Republic, we can see that it was the period of trial singing of the new poetry in the new China. This