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2006年底以来,中国当代艺术市场经历了一轮涨幅高达7倍的暴涨。但是最近,这个高歌行进的市场却传来了不和谐音,先有多位名家作品流拍,以及国际藏家抛货的新闻,而后又有艺术批评家、策展人出来“揭黑”。一夜之间,当代艺术市场“拐点论”、“寒冰期”的说法开始流传,甚至有人预言,整个中国当代艺术市场将面临“崩盘”的危机。但也有不同观点认为,中国当代艺术的弊端被好事者无限夸大,利益失衡是市场化的结果,恐怕也是好事者攻击的真正原因。作为身在其中的媒体,恶意中伤不足效,全盘否定更是不可取,我们要的是还原中国当代艺术的真实状况,还是让读者和各方人士自己去判断吧。
Since the end of 2006, the Chinese contemporary art market has experienced a surge of up to 7 times in a round. But recently, this marching market came with discordant voices. First, there were a number of masterpieces streaming and news of international collectors selling goods. Later, art critics and curators came out to expose “black” “. Overnight, the notion of ”inflection point“ and ”ice age“ in the contemporary art market began to spread. Some even predicted that the entire Chinese contemporary art market will face a crisis of ”collapse." However, there are also differences in viewpoints that the drawbacks of contemporary Chinese art are exaggerated exaggeratedly by those who are good, and the imbalance of interest is the result of marketization. I am afraid this is also the real reason for the attack on good people. As media in it, malice and slander are not effective enough. It is totally unacceptable to negate the whole issue. What we want is to restore the true state of Chinese contemporary art, or let the readers and the parties themselves judge it.