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2015年法国电影《小王子》带着对经典不一样的诠释,以“3D+手动定格图像”的形式走入了我们的视野,同时又使全世界的目光再一次聚焦到了这本产生于1949年,作者只花了3个月便完稿的童话巨著上。无论是原著,还是改编过后的动画电影,都有其深厚的创作内涵。在观影的过程中,我们不难发现,导演马克·奥斯本除了加入女孩的元素外,仍然采用了原作者的叙述方式来讲述小王子的故事,在保留了原著原汁原味的风格之余,也给我们带来了不一样的人生感悟。
In 2015, the French film “Little Prince” took our interpretation of the classic differently and entered our field of vision in the form of “3D + manual freeze-frame image.” At the same time, the world’s eyes once again focused on this resulting from In 1949, the author took only three months to complete the fairy tale masterpiece. Whether it is the original, or after the adaptation of the animation movie, has its profound creative connotation. In the process of watching the film, we can easily find that, in addition to the director Mark Osborne added elements of the girl, still using the original author’s narrative to tell the story of the little prince, while retaining the original style of the original I also brought us a different life perception.