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本文综合各家关于颜文樑创作阶段的分期,提出自己的分期。探讨了颜文樑作品与印象派的关系、颜文樑作品与中国艺术传统的关联。对颜文樑油画是习作还是创作的做出判断。最后对颜文樑在中国现代美术历史上的定位问题上,通过与徐悲鸿、刘海粟、林风眠的比较,提出了自己的看法。
This article synthesizes each stage about Yan Wenliang’s creation phase and puts forward his own staging. Explores the relationship between Yan Wenliang’s works and Impressionists, the connection between Yan Wenliang’s works and the Chinese artistic tradition. Yan Wenliang painting is writing or writing to make judgments. Finally, Yan Wenliang put forward his own views on the positioning of the history of Chinese modern art through comparison with Xu Beihong, Liu Haisu and Lin Fengmian.