都说音乐是无国界的。我觉得这只是在空间上说明了音乐的定位,而在时间上,音乐也是无任何界限的。它弥散于岁月的角落,渗透着动人的情感,以美味佳肴般的诱惑,从听觉、知觉、感觉上,给古代和现代两个世界架起一座沟通的桥、一条穿越的隧道。我要说的邕宁壮族八音,便是这么一种令人如听仙乐耳暂明的音乐。坦率地讲,过去初听八音演奏,我觉得很是嘈杂,丝毫不比悠扬的古琴、淙淙流水的筝那样让人心旷神怡。它的曲调多以合奏呈现,过于高亢的旋律显得匆忙、急促又凌乱,催命一般的音符仿佛自天而降的震雷,声声击打在心头,让人止不住心跳加速,血脉贲张。 All say music is borderless. I think this only shows the location of music in space, and in terms of time, there is no limit to music. It is diffused in the corner of the years, infiltrated with moving emotions, with the temptation of delicacy, from the sense of hearing, perception, feeling, to build a bridge between ancient and modern world, a crossing tunnel. I would like to say Suining Zhuang tone, it is such a kind of people who listen to Xianle ears temporarily clear music. Frankly speaking, in the past, I started to hear the octave playing, and I felt very noisy. It was no less pleasant and cheerful than the melodious guzheng and the dashing kite. Its melodies are mostly presented in ensembles, too high-pitched melodies appear in a hurry, rapid and messy, drowsy notes as if falling from the sky, the sound hit in the heart, people can not stop the heart rate acceleration, .