东映(全称:东映株式会社)义侠片兴起于日本电影史上具有特殊意义的一个时期,二战后,虽然日本经济快速增长,国民收入倍增,但当时日本政治与社会问题日益突出,导致民众和政府的抗争日趋激化。在这样的社会背景下,为满足人们寻找对传统共同体归属感的欲望,义侠片被大量生产、流通、消费,给人们带来无上的乌托邦式幸福。一、东映义侠片时代高仓健的银幕形象及其银幕符号银幕上的形象出现在特定历史时期,在安保斗 After the World War II, Japan’s economy grew rapidly and its national income doubled. However, at that time Japan’s political and social problems were increasingly prominent, leading to the public The fight with the government is intensifying. In such a social context, to satisfy people’s desire to find a sense of belonging to the traditional community, the righteousness tablet is massively produced, distributed and consumed, bringing supreme utopian happiness to people. First, the era of Toei Yoshihiko Takakura Kinji screen image and screen symbol The image on the screen appears in a particular historical period, in the security bucket