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在中等师范美术课程中,进行山水画教学时,我过去总是用主要精力去讲授树石峰峦的画法和笔墨技法,忽视了山水中空白的处理,结果学生画出的山水滞浊板结,缺乏空灵舒展,引人入胜的意境。通过教学实践,我深深体会到,空白是山水画的精华之处。 中国山水画贵在虚灵,不宜刻实。有的说:“山水画能在空白处下功夫,造诣就不浅了。”那么如何在山水画教学中传授空白处理的技法呢?我认为应在
In the secondary normal art course, when I was teaching landscape painting, I used to devote my energies to teaching the paintings and ink painting techniques of the peaks and trees, neglecting the treatment of the gaps in the landscape. As a result, the landscapes drawn by the students were stagnant and lacking. Ethereal stretch, fascinating mood. Through teaching practice, I deeply realized that blank is the essence of landscape painting. Chinese landscape paintings are expensive and they are not realistic. Some said: “The landscape painting can work hard in the blank space, and it is not light to make it.” So how to teach the technique of blank processing in the teaching of landscape painting? I think it should be