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进入九十年代以来,中国社会各方面均发生了深刻的变化。随着社会的转型,文化形态也发生着巨大的变化,其中,文化媒介的转型是影响最为深远的一种变革。它对传统理论观念的冲击已经带来了震荡效应。理论界和评论界的纷争往往以改头换面的论题回应着这场变革。而且,文化媒介的转型,还是一个世界范围内的历史进程,带有不可抗拒的历史必然性。因而,在中国社会的文化媒介转型处于过渡的初期时,用何种理论来策应这场变革就成了当务之急。
Since the 1990s, profound changes have taken place in all aspects of Chinese society. With the social transformation, great changes have taken place in the forms of culture. Among them, the transformation of the cultural media is the most far-reaching change. Its impact on the traditional theoretical concepts has brought the shock effect. Disputes between theorists and commentators often respond to this change with a face-lift. Moreover, the transformation of cultural media is still a historical process in the world with irresistible historical inevitability. Therefore, when the transition of cultural media in Chinese society is in its infancy, what kind of theory should be used to cope with this change has become a top priority.