30年代是好莱坞最为辉煌的时代。这时,“好美学”的各种要素都已发育成熟,开始充分表独特的功能。从制作角度来看,有两个现象最现“好莱坞美学”的特征。其一,摄制组工作的固置化。从大明星到跑龙套的群众演员,从制片人到道具管理员,都一成不变地在同一集体连续拍片,这便于各摄制组或制片公司形己固定的“商标”。其二,银幕叙事技巧的标。那时的好莱坞影片开始总用远景镜头交待场确定叙述空间;然后是全景、中景和近景镜头,角色及其行动;再用半特写和特写镜头表现说和听话者;远景镜头之后的所有镜头,永远在轴前后左右来回“反打”,观众和演员的视线保持一致,摄影机准确清晰地记录一切。30年代莱坞拍摄“制作优良”的影片,运用精美的“视装”吸引大量观众。当时,如果谁认为电影是 The 30’s is Hollywood’s most glorious era. At this time, the various elements of “Good Aesthetics” have matured and begun to fully exhibit their unique functions. From a production point of view, two phenomena are most characteristic of “Hollywood Aesthetics.” First, the crew of the crew solidified. From the big stars to run the dragon sets of extras, from producers to props managers, are unchanged in the same group continuous filming, which facilitates the film crew or production company has its own fixed “trademark.” Second, the standard of screen narrative techniques. Hollywood films at that time began to use the lens of the distant field to determine the narrative space; then the panoramic, middle and close shots, the characters and their actions; and then the semi-close-up and close-up representations and the listeners; , Always back and forth around the axis “anti-fight”, the audience and the actors in line of sight, the camera accurately and clearly recorded everything. In the 30’s, Hollywood filming “making good” films attracted a large audience with exquisite “look and feel” installations. At the time, who thought the movie was