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2006年岁末一期的作品基本可称充实。新锐作家徐则臣的《跑步穿过中关村》(《收获》)是其“京漂”系列中最为坚实的一部,写城市边缘人群生活上的挣扎,精神上的奋发,不见“底层”的标识,却多层次地展现了“底层人”的生活心理困境。以写“底层文学”著称的曾征路的《真相》(《人民文学》第11期)、《陪你玩到底》(《大家》),罗伟章的《潜伏期》虽不是他们个人创作中最佳的作品,但触及的是深层的现实问题,且描写扎实细致.须一瓜的《西风的话》(《人民文学》第11期)、滕肖澜的《你来我往》(《人民文学》第12期)在故事的讲述上颇有点东摇西荡、你来我往的趣味,值得一看。方方的《武昌城》(《钟山》)首次尝试历史题材的写作,表现出较好的驾驭能力。陈家桥的《铜》(《山花》第12期)、李浩《一只叫芭比的狗》(《花城》)、《蜜蜂·蜜蜂》(《上海文学》第12期)都堪称“纯文学”道路上的寂寞挺进之作,结构和叙述都见潜心营造的功力,且富于形而上的思考。此外,《收获》、《花城》同时推出了两位“80后”作家的长篇(张悦然《誓鸟》,《收获》;包依灵《天歌》,《花城》),显示出主流期刊对“80后”创作群体的接纳和重视。无论是对具体作品的评价,还是对“80后”作家如何进入文坛、“纯文学”与“玄幻丈学”的关系等问题,都值得深入探讨。——邵燕君
The end of 2006 a period of work can be described as substantial. The cutting-edge writer Xu Zechen’s Running Through Zhongguancun (Harvest) is one of the most solid pieces in his series of “Beijing Drift”, writing about the struggles and spiritual efforts of the people on the edge of the city, But at many levels to show the “bottom” of the psychological plight of life. Luo Weizhang’s “Latency” is not the best of their personal creations, though he wrote “The Story of the Bottom Literature” Works, but touches on deep-seated real problems, and the description is solid and meticulous. The Story of the West Wind (“People’s Literature” No. 11) and Teng Xiaolan’s “You Come and Me” (“People’s Literature” Issue 12) are a bit of a story to tell. You come to me To the fun, worth a visit. Fang Fang’s “Wuchang City” (“Zhongshan”) first attempted to write a historical theme and showed a good ability to control. Chen Jiaqiao’s “Copper” (“Mountain Flowers” No. 12), Li Hao’s “Barbie Dogs” (“Flower City”) and “Bees · Bees” (“Shanghai Literature” No. 12) are called “ ”Loneliness on the road to advance, structure and narrative see devote themselves to create the skill, and full of metaphysical thinking. In addition, Harvest and Huacheng also introduced the lengthy works of two post-80s writers (Zhang Yueran, Shi Yu, Harvest, Bao Yin, Tian Hua and Huacheng) The Acceptance and Emphasis of “80 Generation” Creative Group. Whether it is the evaluation of specific works or how the post-80s writers entered the literary world, the relations between “pure literature” and “fantastic science” are all worth discussing in depth. - Shao Yanjun